Rana Daggubati Discusses Vetrimaaran's Views on Hate Propaganda in Cinema
Rana Daggubati Reacts To Vetrimaaran's 'Hate Propaganda' Remark: 'Humanity Messaging In Films Is Rare' | Exclusive
News 18
Image: News 18
At the trailer launch of the Tamil film 'Neelira', director Vetrimaaran criticized the prevalence of hate propaganda in cinema, emphasizing the film's focus on humanity amidst conflict. Rana Daggubati, who is presenting the film, praised its unique perspective, noting that it highlights the human cost of war without resorting to violence.
- 01Vetrimaaran criticized films that promote hate and violence.
- 02He emphasized 'Neelira' focuses on humanity rather than conflict.
- 03Rana Daggubati praised the film for its objective storytelling.
- 04Daggubati highlighted the rarity of war films that avoid glorifying violence.
- 05He acknowledged the challenges of presenting war narratives from a human perspective.
Advertisement
In-Article Ad
During the trailer launch of the Tamil film Neelira (A Long Night), director Vetrimaaran expressed concerns about the prevalence of 'hate propaganda' in cinema, stating that many films prioritize profit over meaningful storytelling. He asserted that 'Neelira' aims to present a narrative that does not promote hate or caricature any community, instead focusing on the human experience during the Sri Lankan civil war. Rana Daggubati, who is presenting the film, echoed Vetrimaaran's sentiments, describing the film as rare for its objective approach. He emphasized that 'Neelira' conveys the message that war results in loss for all involved, a perspective often overlooked in commercial cinema. Daggubati acknowledged the difficulty of creating a compelling war narrative without resorting to violence, stating that the film's human lens is a significant departure from typical portrayals. He also noted that while filmmakers should have the freedom to tell various stories, the narrative of 'Neelira' is particularly challenging yet vital, as it captures the trauma of war through a relatable family story. Daggubati concluded that the effectiveness of a war film largely depends on its perspective and the context in which it is told.
Advertisement
In-Article Ad
Advertisement
In-Article Ad
Read the original article
Visit the source for the complete story.



