ABC's 'Bad Company' Critiqued for Outdated Humor and Stereotypical Characters
The ABC’s new workplace comedy about a theatre, Bad Company, simply mocks from the outside
The Conversation
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ABC's new workplace comedy 'Bad Company' struggles with outdated themes and clichéd characters, failing to resonate with contemporary audiences. While it attempts to explore the tension between creativity and financial sustainability in the arts, it often resorts to recycled jokes and stereotypes, leaving viewers questioning its relevance.
- 01'Bad Company' features outdated themes about the arts industry.
- 02The characters are largely based on stereotypes rather than fully developed personas.
- 03The show lacks the depth and humor found in successful workplace comedies.
- 04Margie Argyle's character, played by Anne Edmonds, fails to connect with audiences.
- 05Supporting characters show potential but are underutilized in the narrative.
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ABC's 'Bad Company,' a new workplace comedy set in the fictional Argyle Theatre, opens with a line that encapsulates its premise: 'Money is the death of creativity.' This statement, delivered by Margie Argyle (played by Anne Edmonds), humorously highlights the ongoing struggle between artistic ambition and financial sustainability in the Australian arts scene. However, the show appears unaware of the historical context surrounding this debate, making its commentary feel stale and unoriginal.
The series has drawn comparisons to the successful ABC legal comedy 'Fisk,' particularly due to shared creative talent. Yet, while 'Fisk' thrives on well-developed characters, 'Bad Company' relies on familiar stereotypes—such as the quirky seamstress and the interfering board member—without offering deeper insights into their personalities.
Edmonds, known for her confessional and direct comedic style, struggles to fully embody Margie Argyle, leaving the character feeling more like an attitude than a fully realized person. The dynamic between Margie and Julia McNamara, the corporate fixer portrayed by Kitty Flanagan, lacks the depth and stakes necessary for compelling drama.
Despite some bright spots from supporting actors, the show primarily mocks the arts from an outsider's perspective rather than engaging with its absurdities in a meaningful way. As 'Bad Company' continues, it remains to be seen whether it can evolve beyond its initial shortcomings and deliver fresh humor and insight into the creative process.
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