African pop music has surged globally, with artists like Burna Boy, Wizkid, and Tyla achieving significant success in markets like Europe and North America. However, these artists rarely tour across Africa, leading to a cultural disconnect. The reasons are multifaceted: high costs of intra-African travel, a lack of standardized venues, and visa issues hinder the development of a cohesive touring circuit. For instance, Rema's 2022 world tour included only three African stops, despite high demand. Promoter Adesegun Adeosun Jr. highlights that the infrastructure needed for successful tours is lacking, with many African cities lacking suitable indoor arenas. Additionally, high booking fees for artists and the devaluation of local currencies make it difficult for promoters to fund shows. The situation is exacerbated by the high cost of living, as ticket prices for concerts can exceed a month's salary for many locals. While foreign companies like Live Nation are beginning to invest in African music venues, concerns remain about the long-term sustainability and ownership of these infrastructures. As a result, many fans are left experiencing concerts through social media rather than live performances, raising questions about accessibility and cultural representation.