Exploring the Complex Nature of Art: Insights from Daniel Kehlmann
Daniel Kehlmann: “It is the nature of art to be problematic”
Hindustan Times
Image: Hindustan Times
In an interview, author Daniel Kehlmann discusses his novel about filmmaker Georg Wilhelm Pabst, exploring themes of identity, art, and the psychological intricacies of storytelling. He emphasizes the problematic nature of art and how it reflects the complexities of human experience, particularly in the context of authoritarian regimes.
- 01Kehlmann's novel about Georg Wilhelm Pabst mirrors the filmmaking process through its structure.
- 02The author intentionally limits Pabst's interiority to reflect his historical opacity and uncertainty.
- 03Art is inherently problematic, as it can convey multiple messages and interpretations.
- 04Kehlmann draws parallels between the compromises faced by artists in the past and present, especially under authoritarian regimes.
- 05The contrasting fates of actors like Greta Garbo and Louise Brooks highlight the impact of fame on identity.
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Daniel Kehlmann's novel about filmmaker Georg Wilhelm Pabst is structured in three parts—Outside, Inside, and After—reflecting the stages of moviemaking. Kehlmann intentionally portrays Pabst as a complex character with limited self-reflection, drawing from historical materials like notebooks and letters. He believes that art's nature is to be problematic, allowing for multiple interpretations and meanings. The author discusses how authoritarian regimes influence art and the compromises artists must make, drawing connections to contemporary issues. He also explores the contrasting experiences of iconic actresses Greta Garbo and Louise Brooks, emphasizing the psychological toll of fame and the fragility of identity. Ultimately, Kehlmann's work highlights the enduring relevance of artistic struggles across time.
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