Box Office Showdown: 'Michael' Outperforms 'The Devil Wears Prada 2' in India
Michael Vs Devil Wears Prada 2 BO: From Shows To Occupancy - Check Full Breakdown
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'Michael' and 'The Devil Wears Prada 2' are currently competing at the Indian box office, with 'Michael' leading in total collections and audience occupancy. 'Michael' has grossed approximately ₹56.32 crore compared to ₹24.36 crore for 'Prada 2', showcasing a stronger performance across various metrics.
- 01'Michael' has grossed ₹56.32 crore in India, while 'The Devil Wears Prada 2' has earned ₹24.36 crore.
- 02'Michael' started with 7% occupancy but peaked at 47% during its second weekend.
- 03'The Devil Wears Prada 2' opened with 36% occupancy but saw a significant drop to 13-15% in subsequent days.
- 04'Michael' benefitted from a wider release in over 3,200 shows, compared to 1,600 shows for 'Prada 2'.
- 05Audience reception for 'Michael' has been positive, driven by nostalgia and strong performances, while 'Prada 2' has primarily attracted fans of the original film.
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'Michael', directed by Antoine Fuqua, and 'The Devil Wears Prada 2', directed by David Frankel, are currently competing in the Indian box office. As of Day 16, 'Michael' has achieved a net collection of ₹47.06 crore and a gross of ₹56.32 crore. The film opened with ₹3.70 crore on its first day but saw a significant increase in earnings over the weekend, bolstered by strong audience reception and nostalgia for the King of Pop, Michael Jackson. In contrast, 'The Devil Wears Prada 2' has garnered a net of ₹20.42 crore and a gross of ₹24.36 crore. Although it had a stronger opening day with ₹3.80 crore, its occupancy dropped sharply after the initial weekend. 'Michael' has maintained a wider release with over 3,200 shows, while 'Prada 2' has decreased to 541 shows by Day 9. The regional performance indicates that 'Michael' is particularly popular in South Indian cities, while 'Prada 2' has found its strongest audience in metropolitan areas.
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'Michael's strong performance indicates a preference for nostalgic content among Indian audiences, potentially influencing future film productions and marketing strategies.
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