Exploring Mortality and Childhood in Chie Hayakawa's 'Renoir'
A family braces for the worst, unsentimentally and with nuanced charm, in 'Renoir'

Image: Los Angeles Times
In 'Renoir', Japanese filmmaker Chie Hayakawa presents a poignant tale of a fifth-grader, Fuki, grappling with her father's terminal cancer in 1987 Tokyo. The film delicately examines themes of mortality, emotional detachment, and childhood innocence, reflecting on how these experiences shape one's understanding of life and death.
- 01The film's protagonist, Fuki, is portrayed by newcomer Yui Suzuki, who navigates her father's terminal illness with a mix of denial and curiosity.
- 02Chie Hayakawa draws from her own childhood memories, particularly her fascination with Renoir's painting 'Little Irène', which influences the film's narrative.
- 03Fuki's mother, Utako, displays emotional exhaustion, revealing the family's struggle to cope with impending loss while seeking personal connections.
- 04The film subtly critiques society's indifference towards aging and mortality, echoing themes from Hayakawa's previous work, 'Plan 75'.
- 05Fuki's imaginative daydreams blur the lines between reality and fantasy, reflecting the complexities of a child's perception of death.
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Chie Hayakawa's 'Renoir' is a contemplative drama that delves into the life of Fuki, a fifth-grader in 1987 Tokyo, as she confronts her father's terminal cancer. The film, devoid of sentimentality, captures Fuki's complex emotions and her attempts to understand mortality. With her father, Keiji (Lily Franky), increasingly incapacitated, Fuki's mother, Utako (Hikari Ishida), exhibits a numbness stemming from prolonged grief. Fuki, played by newcomer Yui Suzuki, oscillates between playful denial and a deep-seated awareness of her father's fate, reflected in her interactions and daydreams. The film's title references Fuki's admiration for Pierre-Auguste Renoir's painting 'Little Irène', symbolizing her quest for understanding in a world shadowed by death. Hayakawa's narrative critiques societal attitudes towards aging, paralleling themes from her debut film, 'Plan 75'. As both Fuki and Utako seek emotional connections—Fuki through a phone dating service and Utako through a workplace romance—the film poignantly questions the impact of childhood sorrows on adult life. 'Renoir' ultimately portrays a delicate balance between the innocence of youth and the harsh realities of existence.
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