In 'Backrooms', directed by Kane Parsons, viewers are introduced to a chilling liminal horror experience centered around Clark, a furniture store owner, and psychologist Dr. Mary Kline. The film creates a haunting atmosphere with its depiction of endless fluorescent hallways, successfully capturing the unsettling essence of the Backrooms mythos. However, despite its visual brilliance, the narrative falls short. Character development is insufficient, particularly for Clark and Mary, whose backstories remain unresolved by the film's end. The film's central monster, a pirate version of Clark, fails to deliver the anticipated terror, while secondary entities evoke greater dread. While the film explores themes of trauma and identity, it raises more questions than it answers, leaving viewers feeling unfulfilled. Ultimately, 'Backrooms' excels in atmosphere but struggles with narrative coherence, making it a visually striking yet narratively frustrating experience.