Francesco Piemontesi, a Swiss pianist in his early forties, presented a captivating recital at Wigmore Hall that contrasted with the era's flashy performers. His technical skill was on full display in Liszt’s 'Années de pèlerinage,' where he executed the double-octave climaxes flawlessly. However, it is his thoughtful and restrained approach that defines his artistry, particularly in Schubert’s Fantasy Sonata in G. Influenced by his mentor Alfred Brendel, Piemontesi's performance highlighted clarity in voicing and skillful transitions, although some critics felt it lacked a bit of joy in its rustic finale. In Liszt’s 'Vallée d’Obermann,' he showcased a more dramatic side, reflecting the emotional intensity of the piece. Overall, Piemontesi's unique blend of technical excellence and musical integrity makes him a refreshing presence in the classical music scene, earning a solid ★★★★☆ rating.