Inside Sarah Sherman's Experience of Sketch Cuts on SNL
The Absolutely Brutal Way Sarah Sherman Has Learned That Her SNL Sketch Got Cut From An Episode

Image: Cinemablend
Sarah Sherman shares her experiences on Saturday Night Live, revealing the intense pressure of performing the final sketch of an episode, which can be cut for time. She describes the anxiety of waiting to find out if her work will air, highlighting the challenges faced by SNL performers.
- 01Sarah Sherman has been a cast member on SNL for five seasons.
- 02The pressure of being the last sketch of the night is immense, with the possibility of being cut for time.
- 03During Pedro Pascal's episode, cue cards were pulled mid-performance to shorten a sketch.
- 04SNL performers must be resilient, constantly preparing new content despite the stress of potential cuts.
- 05Michael Che has humorously commented on the draining nature of SNL seasons, reflecting the emotional highs and lows of the cast.
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In a recent interview on The Rundown, Sarah Sherman, a five-season cast member of Saturday Night Live, opened up about the intense pressure of performing the final sketch of an episode, which can be cut for time. She described the experience as "brutal," highlighting the anxiety that comes with waiting through numerous sketches before hers goes live. Sherman recounted how, during Pedro Pascal's episode, the team had to pull cue cards mid-performance to shorten a sketch and fit it into the show's timeslot. This reality of live television means that anything can happen, including sketches being cut or edited on the fly. Despite the challenges, Sherman emphasized the resilience required of SNL performers, who must be ready to create new content weekly, regardless of the stress involved. Fellow cast member Michael Che has also acknowledged the draining nature of each season, indicating the emotional rollercoaster the cast experiences. Ultimately, while the pressure is high, SNL offers its performers the chance to create iconic moments that resonate in pop culture.
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